A.E. Graves' old-school blog. Presently: iPhone13 photos; previously: iPhone 7 or 5 photos plus topical posts, migrated Google+ posts (2011 to 2019); earlier: iPhone 1 photos (Jan 2008 - Sept 2012).
Wednesday, February 27, 2019
Posted by Arlene (Beth) at 8:10 AM
Labels: sanfrancisco, sky
Favorite Monday Sky (adjusted)
Posted by Arlene (Beth) at 8:10 AM
Labels: sanfranciscobay, sky
Monday, February 18, 2019
1990s hard pastel study (eggs)
My painting archive is more fun than I recall! I remember making this, back when I was testing gum arabic as a replacement for toxic spray fixative.
I remember drawing it, but I remember it as being smaller, and perhaps having fewer eggs.
It's a shame chalk pastel dust irritates me so badly!
Posted by Arlene (Beth) at 11:43 AM
Watercolor of a house I once lived in, and thoughts on making things
One of the complicated parts of being an artist is that I MAKE THINGS. This may seem kind of obvious, but what isn't obvious is that I don't realize that other people AREN'T making things. And when having a conversation about "things," I am using a different meaning than other people are at times.
This comes up in many contexts. A colleague was upset that her husband tosses out all the Christmas cards he receives every year, while she does not. I suspect that the cards he is throwing out weren't MADE by anyone he knows: they were merely purchased, and have rote greetings in them. Would he throw out cards that were handmade, contained handwritten letters, or featured photos of people who are dear to him? Probably not. I make and/or design all of my cards myself, and receive cards with handwritten notes, typed letters, and photos of people dear to me, so my choices are different, but there's nothing wrong with either choice. We aren't really talking about the same thing when we talk about "Christmas cards," so having a strong opinion about what people "should" do with the cards they receive doesn't make a lot of sense.
Likewise, I was texting with a friend last night, and she was shocked that I have anything from my life in the 1990s. Which baffled me. Why wouldn't I have things from that time in my life? I'm a writer, a photographer, a painter, and was still studying architecture back then. It seems unlikely that my life would leave no material trace!
For example, this post is illustrated with a watercolor of a house on San Francisco's Short Street (in the Castro; it intersects with Market), which I rented with friends for less than a year, perhaps around in 1993. I don't think I have any photos of it, but I have this. I remember that I was painting this when a long-time friend visited, to discuss his distress over his mother's stroke. That was an intense day!
This little watercolor turned up in my garage-packing yesterday. It isn't an amazing painting, but is totally representative of me at that time, and it shows that I go through rare phases where I paint representational things (as opposed to abstracts, which I paint more of). It fits neatly into my archive, to show my early development as an artist.
It does not need to be destroyed merely because there is a specific house-cleaning fad sweeping the country, or because it is old, and I might be able to paint it differently now. (Of course I would paint it differently now: I am different.) But that doesn't matter: I painted this when living there mattered to me, and I wanted to remember it.
If I hadn't painted it (and kept the painting), I wouldn't remember much about how the house looked, or where the skylights were, or what the houses on either side looked like.
I would remember the tree just above it to the right, on the other side of the valley well -- because I carved a rubber stamp of it. :) Looking at things deeply to draw or otherwise represent them by hand burns them into memory in a special way.
What I'm saying is: "things" can have many meanings, especially if you make things, which is an especially intimate relationship. Sometimes, the "making" is about the process, sometimes it is about the result, and sometimes it is about both. Don't let anyone else decide the fate of things you made for you!
#memory #art #creation #things
Posted by Arlene (Beth) at 11:40 AM
Labels: archive, painting, watercolor
Friday, February 15, 2019
Thursday, February 14, 2019
Watercolors for science
Documentary science was once performed entirely by hand: handwriting and hand-drawings and fast-drying watercolor paintings of the wonders of the natural and ancient worlds were used to record important and scenic things. Both professional draftsmen and artists documented the world around them through their mastery of pencils and paint. Now, watercolor paintings in particular are being digitized and studied for their context and content. This reminds me of how Japanese letters and diaries have been used to amass data on when cherry blossoms historically bloomed. It's another fabulous analog dataset! #watercolor #scientificillustration #illustration #science #bigdata
Our lost world in watercolours - the paintings that documented EarthA new website is digitising millions of watercolours - to make instantly available a wealth of vital historic imagery that could assist everything from climate research to school teachers
Posted by Arlene (Beth) at 8:24 PM
Labels: documentary, Science, watercolor
AI Weirdness of 2018
Janelle Shane, scientist and author of aiweirdness.com enjoys playing with neural nets, and I laugh myself to tears over some of the results! Here is her summary post of the best AI creative efforts of 2018. #artificialintelligence #ai #neuralnetworks #robotoverlords
10 things artificial intelligence did in 2018I did one of these for 2017 last year, so I thought it would be fun to recap some of my favorite aiweirdness.com experiments from 2018. Sure, financial forecasting, facial recognition, and delivering ads may be the most common uses for machine learning, but that doesn't mean they're the best uses.
Posted by Arlene (Beth) at 8:18 PM
Sunday, February 10, 2019
Garage of festive front
Posted by Arlene (Beth) at 8:33 AM
Labels: mural, sanfrancisco
Posted by Arlene (Beth) at 8:32 AM
Labels: mural, sanfrancisco
Friday, February 8, 2019
Bond Villains of the Trump Administration
When my friends remark on the absurdity we encounter over political graft in the news, I remark that there is a cartoon-level of villainy happening, so blatant as not to be believed. Of course, the Internet has done me one better, with this amazing thread mapping members of the current administration to historic villains from James Bond films... WITH MATCHING PHOTOS. It's an excellent compilation. This collection sparks joy throughout my peer group. #villainy #jamesbond
Thread by @KevinMKruse: "It's like this entire administration is made up of James Bond villains. All right, let's break this down.[...]"Thread by @KevinMKruse: "It's like this entire administration is made up of James Bond villains. All right, let's break this down.[...]"
Posted by Arlene (Beth) at 5:24 PM
Labels: humor, uspolitics
Tuesday, February 5, 2019
A dusting of snow on the western shoulder of Mt Tam
Posted by Arlene (Beth) at 11:36 AM
Thoughts on a Transatlantic Commute
In addition to the refreshed content on my main website, I also added a new piece. It's about repeatedly crossing the Atlantic Ocean for a taxing job while your friends assume you are skiing. #expatriate #employment #misunderstandings #businessclass
039 : travel : Europe : Thoughts on a Transatlantic CommuteMy "ten month" special project rotation finally ended, merely five years after it began. Looking through the diaries I filled, photos I took, and raft of business activities I completed, now that I FINALLY know it is behind me, I thought about the element of this that is LEAST understood by my friends.
Posted by Arlene (Beth) at 8:47 AM
Labels: employment, misunderstanding, travel
Website Tools: Embedly
As I am using Blogger, which doesn't support the sort of fancy link previews that Google+ offered, I need a tool to make things NICE. Thanks to the Google+ Exporter, I was introduced to Embed.ly, which generates the interface I expect. It's a great tool! #worldwideweb #blogger #linkpreview
Embed Code Generator | EmbedlyEnter a URL and Embedly will generate HTML you can embed in your site or blog.
Posted by Arlene (Beth) at 8:38 AM
Website Tools: Why No Padlock (SSL checker)
Now that I've finally gotten SSL for one of my sites, this tool is also fabulous. I especially appreciate how it points out mixed content (where you link or pull images from a non-secure site). This has saved me hours of hair-pulling. #worldwideweb #ssl #validator
Why No Padlock?Why No Padlock? - Why is my SSL web page insecure? Find the culprit!
Posted by Arlene (Beth) at 8:36 AM
Website Tools: CSS Validator
On the same theme, I also rely on this CSS validator, as CSS is still not a natural thing for me. #worldwideweb #css #validator #w3c
The W3C CSS Validation ServiceCheck Cascading Style Sheets (CSS) and (X)HTML documents with style sheets
Posted by Arlene (Beth) at 8:34 AM
Website Tools: the W3C Validator
I love the Validator! If you are a web author, it can help be sure your HTML is legit, and finds errors you may have missed. I recommend it heartily. #worldwideweb #w3c #html
The W3C Markup Validation ServiceW3C's easy-to-use markup validation service, based on SGML and XML parsers.
Posted by Arlene (Beth) at 8:27 AM
My personal website, teahousehome.com, has been refreshed
We could all use to be refreshed now and then, right? I now have an SSL certificate, plus added code for mobile/tablet-friendliness. I've also revised some of the core content, and updated some of the newer features.
teahouse homepersonal website of Arlene Graves of San Francisco, California
Posted by Arlene (Beth) at 8:24 AM
Labels: A. Elizabeth Graves, words
Supersense: One Instant packfilm kickstarter funded and underway
I'm happy to have backed Florian (Doc) Kaps' new project, which is "One Instant" peel-apart pack film for Polaroid-type Land Cameras. Yes, of course I still have a Land Camera. What kind of fanatic do you think I am? I like the cleverness of the project generally. For example, they tried to recreate the complex, accordion-fold package that pack film used to have, and it's a logistical nightmare. So, they decided to skip that, and make recyclable paper holders for single shots instead. Which is SO SENSIBLE. Here's their new website. With the Kickstarter funded, they'll hope to produce film and get it out mid-year-ish. #instantfilm #polaroid #landcamera #supersense
One InstantONE INSTANT is based on a new, radical concept. It's not a classic packfilm but a next generation type 100 instant film that doesn't even dare to compete with the classic film legends of packfilm history.
Posted by Arlene (Beth) at 8:19 AM
Labels: impossibleproject, polaroid
Saturday, February 2, 2019
The EAT Lancet Commission's Dietary recommendations for health and the planet
If human and planetary health matter, this scientific approach to solving well-documented problems with well-documented science is a great place to start changing our habits.
#health #humanity #environment #savetheearth
#health #humanity #environment #savetheearth
The EAT-Lancet Commission on Food, Planet, Health - EATCan we feed a future population of 10 billion people a healthy diet within planetary boundaries? The Commission is delivering the first full scientific review of what constitutes a healthy diet from a sustainable food system, and which actions can support and speed up food system transformation.
Posted by Arlene (Beth) at 6:13 PM
Labels: eatyourveggies, ecology, environment, health
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