A.E. Graves' old-school blog. iPhone13 photos; previously: iPhone 7 or 5 photos, topical posts, migrated Google+ posts (2011 to 2019); iPhone 1 photos (Jan 2008 - Sept 2012). My photos copyright A.E.Graves; reviewed/other content copyright remains with their respective creators!
Showing posts with label filmphotography. Show all posts
Showing posts with label filmphotography. Show all posts
Monday, December 22, 2025
Analog Administration (Filmstrips) (20 December 2025)
I've been prolific this year, and all of the boxes and envelopes from my superb photo lab started to overflow my desk, so it was time to actually sort, label, and organize them. In the process, I found about a dozen rolls I hadn't mentioned in my shooting log... Which is all a reminder to actually DO SOMETHING with my work, so I can eventually get an assistant! ;)
Wednesday, September 1, 2021
Tuesday night organization projects
It's so cute that people think artists live very glamorous lives... maybe the monetarily successful ones do. But I am looking for something in my archive, and my archive isn't quite as complete as I had believed it was...
Sunday, November 10, 2019
Looking In My Archive
I sure have lots of undated prints. My lab at this time printed LOTS of numbers on the back, but no dates. Dates would have been nice. (I can guess what year it was based on the address I used on the order envelope, in this particular case.)
I hope I have scans of these somewhere. (Perhaps this stack of unlabeled CDs? Gah!) These are images from Desolation Wilderness, up near Lake Tahoe, here in California. It is a relentlessly gorgeous, high elevation, roadless wilderness with stunning lakes, snow still piled on the peaks in summer, and (at that time) a remarkable number of mosquitos.
Yes, I am the kind of gal who hauls an antique twin lens reflex camera and medium format film into the high Sierras. But you knew that.
Historic Fire Escape Shadow Obsession
I have boxes and boxes of photos that no one but my photo lab tech has ever seen, and found this representative example from a test roll to see if my Target Brownie Six Twenty works.
Conclusion: it works! It is a very old fashioned box camera, and has a little window that pretends to be the viewfinder, with little angled mirrors that more or less tell you where you are aiming. More or less: the boundaries aren't especially accurate, and I'm a full frame composer, so it was vexing. I wasn't sure what its focusing range was, so I have a stack of out-of-focus close ups of signs in this stack.
This print (from somewhere in the Mission, maybe on Bryant?) is a good example of "things that are so detailed I don't want to draw them, but which I LIKE." For some reason, which I never explain, fire escape shadows are one of those special things. And you are lucky I don't post more photos like this.
Note that, if I drew this scene accurately, you would be convinced that I got the shadow of the ladder wrong, because the treads aren't visible from the side. But look! The shadow makes sense!
The redness of the fire escape and alarm bell are satisfying. I also like the inconsistency in my test rolls - I really AM testing cameras when I wander about. I don't think I used this camera again, however, mostly because I have to respool film for it onto smaller "620" rolls (which take 120 film, but are just small enough to be a pain).
Sunday, December 27, 2015
I've finally looked at the scans of my Lomochrome Purple film test, which I exposed in a Lomography Bel Air camera.
I've finally looked at the scans of my Lomochrome Purple film test, which I exposed in a Lomography Bel Air camera.
The near-infrared (Kodak Aerochrome-like) film is great, but the zone-focusing Bel Air plastic camera (which is a replacement for a previously returned camera that could only produce soft-focus images) is unreliable: only six of twenty-four images came out in focus. Infrared light wavelengths are a bit different than visible light wavelengths for focusing purposes, so the choice of this film wasn't ideal for a camera test... but my Bel Air images focused to infinity are fuzzy, which is unexpected.
The film is quite nice, and I plan to use more of it (in a reliable, antique camera of mine).
#lomochromepurple #lomographyfilm #film #filmphotography #infrared


The near-infrared (Kodak Aerochrome-like) film is great, but the zone-focusing Bel Air plastic camera (which is a replacement for a previously returned camera that could only produce soft-focus images) is unreliable: only six of twenty-four images came out in focus. Infrared light wavelengths are a bit different than visible light wavelengths for focusing purposes, so the choice of this film wasn't ideal for a camera test... but my Bel Air images focused to infinity are fuzzy, which is unexpected.
The film is quite nice, and I plan to use more of it (in a reliable, antique camera of mine).
#lomochromepurple #lomographyfilm #film #filmphotography #infrared


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